---
title: "Two Looks in an Upside-Down Hallway — AI Video Template | Made"
description: "Two Looks in an Upside-Down Hallway: an AI video template on Made. Recreate it and swap in your own photo, keeping every shot, camera move and beat."
url: https://www.made.app/templates/video/two-looks-in-an-upside-down-hallway-0su51ac
---

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# Two Looks in an Upside-Down Hallway

Prompt

Edit @Video1 into a new photorealistic version. Preserve its exact duration, shot order, hard cuts, camera motion, poses, blocking, gestures and timing. Generate visuals only; the original soundtrack will be restored after processing. Use these replacement references consistently throughout every shot: @Image1: @Image1 replaces the sole approaching performer in @Video1’s inverted opening, before the hat obscures the lens. It supplies her identity and first, two-piece outfit. @Image2: @Image2 replaces that same performer after @Video1’s hat occlusion, from the close reveal through the full-length gestures. It supplies her second, entirely different outfit while retaining her identity. In @Video1, replace the single visible performer with the same fictional adult woman in two distinct looks. Use @Image1 for the inverted, approaching hallway shots through the hat’s lens-filling occlusion (approximately 0–3.4 seconds): dark-brown chin-length curls, a saffron ribbed sleeveless crop top, a deep petrol-blue straight satin maxi skirt, tobacco suede low heels, and a floppy chestnut felt hat. Use @Image2 after the occlusion through the end (approximately 3.4–11.3 seconds): keep her face, build, and dark-brown curls consistent, but change her entire outfit to a fitted deep-aubergine floor-length crepe gown with a curved collarbone cutout and one long draped bell sleeve, a structured muted-wine flat-brim hat, and fine antique-copper bead strands hanging over her face. Preserve the opening’s upside-down orientation, the approach toward the camera, hat-to-lens blackout, close reveal, pullback to full-length framing, and the final splayed-finger and pointing gestures. Keep the original corridor, camera movement, framing, lighting, shadows, and fade to darkness. Let the wardrobe change occur only within the existing occlusion; add no cuts, people, captions, logos, or overlays. Do not introduce the references’ studio backgrounds into the video. Deliver only the unobstructed live-action scene from the very first frame through the last. Exclude all overlaid text, interface controls, borders and graphic marks from every frame. Seamlessly reconstruct any scene details obscured by source overlays, including when those overlays move. Use the new fictional identities and outfits from the replacement references for the recast people. Preserve their performances and positions, not the original people's likenesses. Apply the references to the source choreography; do not freeze the scene in a reference pose or copy a character sheet's studio background. Keep natural hands, contact, shadows and perspective. No added foreground people, captions, logos, split screens or extra cuts.

Inputs

Details

**Model**

Seedance 2.5

**Tool**

Object Swap

**Duration**

0:12

**Size**

960×1712

[Recreate](https://www.made.app/tools/object-swap?library=motion_job_895567d8-353f-43f5-94dc-f8ed933d940d)

0:00 0:00

## Two Looks in an Upside-Down Hallway

[@noodlepebble8677](https://www.made.app/@noodlepebble8677)

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